Essay we discovered

Artificial Intelligence and Music

Author: C. Roads

Source: Computer Music Journal, Summer, 1980, Vol. 4, No. 2, pp. 13-25

The Color of Sound: A Theoretical Study in Musical Timbre

Author: Wayne Slawson

Source: Music Theory Spectrum, Spring, 1981, Vol. 3, pp. 132-141

Published by: Oxford University Press on behalf of the Society for Music Theory

The Psychology of Music. VI. The Vibrato: (1) What is It?

Author: Carl E. Seashore

Source: Music Educators Journal, Vol. 23, No. 4 (Feb., 1937), pp. 30-31+33

Published by: Sage Publications, Inc. on behalf of MENC: The National Association for Music Education

Timbre: Acoustics, Perception, and Cognition

Editors: Kai Siedenburg, Charalampos Saitis, Stephen McAdams, Arthur N. Popper, Richard R. Fay

Timbre and the Perceptual Effects of Three Types of Data Reduction

Author: Gérard R. Charbonneau

Source: Computer Music Journal, Summer, 1981, Vol. 5, No. 2, pp. 10-19

Towards Automatic Musical Instrument Timbre Recognition

Author: Tae Hong Park

A-CRNN: A Domain Adaptation Model for Sound Event Detection

Authors: Wei Wei, Hongning Zhu, Emmanouil Benetos, Ye Wang

Beat Transformer: Demixed Beat and Downbeat Tracking with Dilated Self-Attention

Authors: Jingwei Zhao, Gus Xia, Ye Wang

Content Based User Preference Modeling in Music Generation

Authors: Xichu Ma, Yuchen Wang, Ye Wang

Design of Music Teaching System Based on Artificial Intelligence

Authors: Wei Chen

Exploring Transformer’s Potential on Automatic Piano Transcription

Authors: Longshen Ou, Ziyi Guo, Emmanouil Benetos, Jiqing Han, Ye Wang

Beatty: Automatic Tempo Curve Synthesis for Expressive MIDI Track Playback

Author: Madeline Wong

The Sound of Pixels

Authors: Hang Zhao, Chuang Gan, Andrew Rouditchenko, Carl Vondrick, Josh McDermott, Antonio Torralba